Skip to main content

Thirty Eight

This has a tinge of LA Noire to it, which is why I'm including it at this juncture. Although I've not played LA Noire. Or know much about it. I'm assuming it's like playing a game of LA Confidential, which is what this dream reminds me of...as indeed I appear to mention. Quite an old one this, as I recall it:

'Walking around a sloping district of the city with Daniel and Liam, in and out of peculiar sandstone structures. It is like 1950s LA in terms of climate and washed out colour. Later, I appear to be working as some sort of informant for an organisation I wasn't aware I was a member of. Asda, still replete with people I once worked with (I visit with my Dad, remarking that nothing has changed in a year except the lighting), now runs a hotel, similar to the building my apartment was in in an earlier dream (where I murder an old aquaitance by pushing him over). I break in to investigate something that may or may not be happening. Someone is committing some sort of scam, which I have escaped from. Liam is less fortunate; on breaking in to the hotel I find him trapped in a small room writing pages of endless drivel. I am chased by a woman in white, who I believe to be my old section head at Boots. I hide behind a door to evade her. Later, I meet up with agents I work with, who put a yellow disc on my jacket and say it is a covert camera. I am to repeat my break in, this time recording the events that transpire.'

Comments

Popular posts from this blog

Sixty Eight

In some sort of wasteland, possibly Malton from urbandead but in reality. The buildings and general lay out of the space appears to be a grid system, dark green, crisscrossing and bisecting the land; it resembles a giant board game. The sky is muted orange, and I have a feeling there is something lurking in the increasing shadows that dusk has introduced. Someone who I am with shows me around their flat. From the window I see abandoned car parks, and in the distance lakes and mountains, though this view is partially obscured by smoke rising from refineries that seem to encircle the town. The light is falling away. No-one is on the street when I am taken to the next house. The view from the window is the other house. Each subsequent place I am shown around offers a view of the preceding property. I am caught in a loop of property viewing, with some unknown menace responsible for the trap I find myself in.

Seventy Two

'In an underground complex, all crumbling concrete and rusted stairs. There are zombies here, mouths red with blood and flesh. I pilot a small buggy, knocking many of them over, until I end up being stopped by the sheer number. I climb out but they vanish. A man in strange suit motions toward a stair case as an elephant-man-type zombie stumbles toward me. I am to fight him. I hide behind a strange wall. The zombie turns in to a gun turret which I eventually destroy.'

Seventy and Seventy One

Adam has become a vampire, at least I assume it’s Adam. We’re outside Asda at twilight, and I become aware of the threat as an object I take to be my brother moves at speed through dense foliage. Against better judgement I give chase, and watch as the vampire-like creature bounds across the road and jumps a garden fence. I follow. I am aware that I am able to leap in a similar fashion, and in the back garden of a normal suburban home I consider my position. The garden has a stone bird table, and through the blinds I can see an elderly couple watching television. I’m approached by a cat, which I instantly recognize as being the vampire. It senses my recognition and scatters in to a thousand black shapes, which form a sort of evil waterfall in reverse, spewing backwards over the fence and on to the adjoining cul-de-sac. I again give chase, but find myself standing in an empty street with no sign of the menace. All the lights in the houses are on, but no-one seems to be home. Again...