Skip to main content

Fourteen

Longish entry, again City based, obviously inspired by reading Millennium People. Happened about a fortnight ago, since when I have been largely unable to remember nocturnal occurrences, aside from one where I spent a long time drinking whisky like it was water. Hopefully this trend will evaporate once my time at the supermarket is terminated next week...

I am a police informant/spy, and have infiltrated a terrorist organization based in a waterfront property in some old Victorian-style docks. The waterway is located where West Hampstead Thameslink station is in reality, the train line being a river area. After walking along the planks to the hideout I am greeted by a man with a short beard and small eyes. He tells me to watch the hideout. He'll be back soon, in maybe half an hour. On hearing this and watching him depart, the anti terrorist unit, who I am apparently a part of, mobilise to bug the property. This involves Channel 4's financial correspondent Faizal Islam, dressed in military fatigues, cutting a circle in a pane of glass. He explains people can jump through it later. In the property, I await the terrorists return. A bell rings somewhere, and the door is cut open by three men, one with a circular saw. Of the three, one is fat with glasses, one is non descript and the other is Mathew (sic) Hutton, whom I work(ed) with in reality. The fat man complains about my poor security checks, what with allowing them to get in unannounced, and checks a bag of beans that apparently indicates the number of people in the house. He says there should be four but there are in fact 20 plus. This, it turns out, is because there is a party going on in the back room, which I am coordinating though until that point entirely unaware of. There is a band playing. I walk past a pipe smoking Andrew Neill and set about banging the little drum kit with recently materialised sticks, as if to highlight the fact that I too can play the drums. The band's drummer is not impressed. I take a back seat, falling in to a tatty armchair. Picking up the bean bag used for counting I dip my hand in an start eating what turns out to be pistachios. The raid on the 'cell' never takes place. I am disappointed with the music.

Comments

Popular posts from this blog

Sixty Eight

In some sort of wasteland, possibly Malton from urbandead but in reality. The buildings and general lay out of the space appears to be a grid system, dark green, crisscrossing and bisecting the land; it resembles a giant board game. The sky is muted orange, and I have a feeling there is something lurking in the increasing shadows that dusk has introduced. Someone who I am with shows me around their flat. From the window I see abandoned car parks, and in the distance lakes and mountains, though this view is partially obscured by smoke rising from refineries that seem to encircle the town. The light is falling away. No-one is on the street when I am taken to the next house. The view from the window is the other house. Each subsequent place I am shown around offers a view of the preceding property. I am caught in a loop of property viewing, with some unknown menace responsible for the trap I find myself in.

Seventy Two

'In an underground complex, all crumbling concrete and rusted stairs. There are zombies here, mouths red with blood and flesh. I pilot a small buggy, knocking many of them over, until I end up being stopped by the sheer number. I climb out but they vanish. A man in strange suit motions toward a stair case as an elephant-man-type zombie stumbles toward me. I am to fight him. I hide behind a strange wall. The zombie turns in to a gun turret which I eventually destroy.'

Seventy and Seventy One

Adam has become a vampire, at least I assume it’s Adam. We’re outside Asda at twilight, and I become aware of the threat as an object I take to be my brother moves at speed through dense foliage. Against better judgement I give chase, and watch as the vampire-like creature bounds across the road and jumps a garden fence. I follow. I am aware that I am able to leap in a similar fashion, and in the back garden of a normal suburban home I consider my position. The garden has a stone bird table, and through the blinds I can see an elderly couple watching television. I’m approached by a cat, which I instantly recognize as being the vampire. It senses my recognition and scatters in to a thousand black shapes, which form a sort of evil waterfall in reverse, spewing backwards over the fence and on to the adjoining cul-de-sac. I again give chase, but find myself standing in an empty street with no sign of the menace. All the lights in the houses are on, but no-one seems to be home. Again...