Skip to main content

Sixty Six and Sixty Seven

I missed a few months somehow (I blame late-stage PhD write up), so here are two to catch up. One is from relatively recently and the other is from some point midway through the last decade.



'On a large complex train, arranged like an Ikea store. There is, as always, nowhere to sit, but I had to catch this train. There was no other option. I move from carriage to carriage, vaguely aware of someone guiding my hand through the morass of dark green first class seats I am forbidden to sit in, and elongated Moroccan-style benches replete with sprawl-ing idiots. I eventually come across the red carriage, a sort of standard class area, but covered in beds with red duvets. There are people under the sheets but I am unable to see them. They wriggle around and make noise. By the exit, which I walk through, there is one bed with a corpse in it. What I assume is the final carriage contains a food shop like Ikea; it is only when looking out of the window that I realise I am actually in the station and the train is leaving. All my stuff is there.'



'In the room at The Rookery in St. Ives. Outside is all darkness and turmoil, inside a single light is on. We are told to wait. An end-of-the-world style situation. Somehow me and Chris have survived (I didn't even know he was here). Finally, after a Beckettesque wait, an elderly couple enter the room with bags of shopping. The end of the world is over; people can now shop again'

Comments

Popular posts from this blog

Fifteen + Sixteen

Long pause between posts owing to house moving and a lack of internet connection for over six weeks. Most frustrating. The intervening period has however furnished me with some new and skewed meanderings inside the subconscious underworld. The first, as you can guess from the reference to a certain daily newspaper, is from a while ago. The second (a double post to make up for the absence) came from a book I found whilst packing that contains notes on a defunct record label, conversations not appropriate for verbal discussion and occasional nocturnal recollections. 15. A warehouse, not dissimilar to Asda, where everything comes in multicoloured stacked boxes. Most boxes hold copies of The Times. I tell someone that they're not selling because they're not as cool as the new Berliner format Guardian (depressing how sad I am even in dreams). Later, am on an island, a little like the one in Lost. At one point I even ask when Walt is coming back. There are a crack team of commandos a...

Eighteen

This was probably the first dream I can remember having since moving back to York. It obviously harks back to specific childhood memories, blended with the usual cast of people from when I was younger (except the comedian). Misc sexual references to trains I would assume is related to Hitchcock, but perhaps Zizek is the best judge of that. Lots of symbols to wrap teeth around. 'Wandering through Putteridge Bury. An indistinct beginning, following that much traveled road to the farmhouse and dried up pond. A man spins a sports car on some gravel alongside a barn conversion I am unfamiliar with (I realised when I work up that I did know the barn...odd that whilst asleep my brain wouldn't recognise it). I walk along the track to where the old white house should be, next to the greenhouse my Dad used to own. Instead, just scrub land and some kids jumping on a knackered trampoline. I meander towards what I assume is Great Hayes; there is a long row of portaloos by the roadside. I fi...

First

Essentially I am using this as an area for storing a collection of nocturnal happenings in my brain. Sometimes, and it waxes and wanes over the year, I awake and write down what I've been thinking about whilst asleep. It's a bit more ethereal than simple chronicling, as I tend to be mostly asleep when it happens, and writing comes automatically to my fingers. Most of it is ache. However, patterns will emerge. These notes develop, eventually (and after a long process of twiddling, mastication and reconstruction), in to what is currently called The Last Night Tree. I will sometimes add brief notes/explanations to where certain items/instances have come from and why they are included. (?) indicates sections and ideas that I cannot presently recall, but apparently could at the time of writing. The only grammatical changes made to each entry are adding capital letters to the beginning of sentence which I am for some reason incapable of doing at random o'clock. I should point out...